MENU
THE ARTS SOCIETY
MARLOW
Click here to view future events

DateEvent
21 November 2019Looking at You, Looking at Me - Women in Western Art
28 February 2019“Passionate Patrons” – Victoria and Albert and the Arts
23 November 2018'Photography - the Art of the Real' - Chiltern Hills Study Day
22 November 2018“The Show Must Go On” - The British Theatre 19-20th century
17 October 2018“The Art of Armour” - Chiltern Hills Study Day
15 February 2018New York, New York
16 November 2017The Patrons of Opulence - the fascinating story of the Marquesses of Bute
16 February 2017Layers of Rome
25 November 2016The Treasures of the Royal Collection, Chiltern Hills Study Day
24 November 2016The Glory of Venice - a city and its music from the 16th - 20th century
17 October 2016The Story of the Tate, Chiltern Hills Study Day
20 September 2016The Story of one family's collecting at Chatsworth, Chiltern Hills Study Day
18 February 2016The Houses of Parliament
19 November 2015The Marquesses of Bute - 'Patrons of Opulence'
19 February 2015Chatsworth - Passions, Personalities & Patronage from 1550 to 2015
20 November 2014East meets West - Japan's Artistic Encounters with the West

Click on a row and scroll to display more details about the event

Looking at You, Looking at Me - Women in Western Art Linda Smith Thursday 21 November 2019

 

A new study day, on how women have been represented in western art since ancient times. It presents a wide range of images of women, asking what the functions of such pictures were in their own times, and how we might read them today. In the process, many nuances and meanings are revealed, and changing attitudes to women, beauty and morality, are addressed. The theme of visual representation runs alongside a parallel theme which looks at the long history of how women have struggled for political representation, and what that has meant for their roles as subjects, and makers, of art.

                     

Session One:  LOOKING BACK – From Antiquity to Renaissance

Session One examines the development of European artistic conventions, starting with some important images from the ancient world, before moving on to medieval Christian Europe, a period which saw the Biblical figures of Eve and the Virgin Mary profoundly shape attitudes towards women and their representation in art, but which also saw the rise of the more secular cult of courtly love.  From there the discussion moves on to Italian Renaissance portraiture, the rise of classicism and the return of the female nude to art.  The roles and importance of women as patrons of art, and as artists themselves is also introduced in this first session, plus the theme of women as subversives, trying to challenge convention.

 

Session Two:  LOOKING THE PART – Some Women in British Art c.1550-c.1900

The second talk narrows the focus down to British art, looking at the influence of those European conventions around images of women, and their adaptation to specifically British traditions in art and society.  Various factors are considered, including sumptuary laws, propriety, beauty regimes, and changing attitudes towards eroticism and sexual behaviour.  A wide range of women is covered: from all-powerful monarchs down to the ubiquitous Fallen Women of the Victorian era.  It moves on to pick up on the themes of women as artists and activists by looking at the rise of the Women’s Movement and the implications such things as the Cult of Beauty and the Rational Dress Movement had for the representation of women in art.

 

Session Three:  WHO ARE YOU LOOKING AT? – Twentieth Century Art and Feminism

The final talk starts by examining some late nineteenth-century images of women to show some of the ways in which the early avant-garde challenged and subverted European traditions in art, and discusses the parallel rise of the cult of Bohemia and what that meant for women trying to succeed as artists. This provides background for a look at the difficulties women had making their voices heard in the 1950s, and moves on to explain the confrontational strategies employed by feminist artists in the 1970s, comparing them with the more nuanced attitudes of more recent feminist art

Linda holds two first-class degrees in Art History. A broad knowledge of art historical subjects, but specialises in British Art and twentieth century art. Experienced lecturer and guide, especially at Tate Britain and Tate Modern. Has lectured to a wide variety of audiences in different venues, including school and university students, and independent arts societies in the UK and overseas.

£28 per person including tea/coffee and sandwich lunch .

To book contact Jo Wilson

josephine.wilson1954@gmail.com